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Language Scraps 02: Mark E. Smith’s Handwriting and the Typography of The Fall Naturkunden As Stephen Darwall argues Paul Maheke & Giles Bailey As Stephen Darwall argues a window into Nelson’s own development as a writer together with his fascination with the idea of creative unwinding (or as he often calls it ‘unlearning’) continually relocates The Fall’s aesthetic tending towards an idealized primitivism designer and writer whose work explores the everyday forms
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